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Steve Regan is a writer who lives in New Brighton. He’s a performance poet and a rebel. He drinks in a pub he calls Hell’s Waiting Room and a late bar known as The Lost Weekend. Steve has an unusual take on modern life – as you’ll discover …

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So evil, so good

May 16, 2006 6:22 PM | 

I know I wrote the other day that telly had lost its magic, and that is broadly true.
But there are some stunning exceptions that stand head and shoulders above all the pap pumped out by the networks.
One shining example of quality has been See No Evil: The Moors Murders (ITV1 Sunday and Monday).

There was some suggestion, before this drama was made, that it was exploitative and sick.
But it was neither. It was brilliantly but sparingly written by Neil McKay and made us all think about the nature of evil and about the malign influences others can have on us.
It was well acted throughout, but Sean Harris as Ian Brady was exceptionally good at being totally bad and chillingly bereft of humanity.
Crucial to this two-part drama’s success was the decision to keep the killings themselves in the background and to concentrate on the relationships involved, particularly the links between Brady, and Hindley, and her sister Maureen and Dave Smith, the man who first went to the police about Brady and Hindley.
It wasn’t comfortable viewing – the best things on TV often aren’t – but well done ITV for keeping quality screen-writing alive in these days of mediocrity such as Jimmy McGovern’s The Street and crap such as EastEnders.
It beats me that ‘Enders won the Bafta this year when Coronation Street has been so much better.
In recent days Corrie has been devastatingly good at portraying the touching loneliness of the middle aged and the difficulties endured by those with unusual personalities in getting through life.
The misadventures of Norris in his search for romantic love through a dating agency, and the misfortune of Roy, when his precious café was closed by environmental health, were both sad and funny.
It is all about quality writing, and I think it is the much maligned and unfairly ridiculed ITV that has the best dramatic writing and characterisation of all our broadcasters.
It is not just the examples quoted above that make me say that, the continuing excellence of The Bill.

Comments (3)

kay ~ wrote...

Ummm . . . Steve?
Hello?
Have you been taken short luv?
Should there have been a bit more to that last post of yours?
The end of it didn't make sense . . .
*** No, that was it. I was in a rush to get home for Coronation Steet, only to discover it had been replaced by football. Life is full of disappointments. - STEVE.

Posted by: kay ~  | May 17, 2006 11:47 AM

Pink Elephant wrote...

I didn't get to see the programme in question but I gather it was an insightful and interesting watch. While I can understand people being wary of making programmes like that I think it's important to remember the events. My mum was in Stockport as a young girl at the time and remembers the fear of parents and children alike. An in-depth look can help us come to terms with events like those awful ones.
And I agree about EastEnders. What a load of crap. It's soooooo rubbish. Most of my friends' mums watch it to escape their problems not be reminded of them!

Posted by: Pink Elephant  | May 17, 2006 1:44 PM

Ricky from Baynards wrote...

EastEnders has always been a colouring by numbers exercise put together by a bunch of middle class Guardian reading social engineers who want to perpetuate their notion of what the working class should be like. Right from the start it's had cardboard cut-out 'minority' characters (gay/black/whatever) who have been inserted to act as mouthpieces for their trendy liberal puppet masters - the result has been patronising, flimsy charicatures that are an insult to the 'minorities' they seek to portray. EastEnders has always tried to portray 'minorities' as being defined by their victimhood not their humanity.
That's nothing compared with the despicable way in which they have portrayed the ordinary, indigenous working class as vicious, immoral and humourless. The people who created - and write for - EastEnders are really just the modern day equivalents of those Lady Bountifuls who used to venture down into the slums in the 19th century. They wanted to do some good but at heart they really saw the working class as either being helpless victims or menacing thugs. Coronation Street (when it's not trying to follow 'Enders down market) feels like it's been written by people who might actually have been into a local pub or caff instead of swilling vino at North London dinner parties...
....er, so that's a vote in favour of the Street against EastEnders I suppose!

Posted by: Ricky from Baynards  | May 19, 2006 11:33 AM

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